The poster weight is actually not far from the weight of ITC Franklin Gothic Heavy, but that was not a reason for choosing this design space. Were you inspired by any other heavy-weight typefaces in designing this? In Kanton Gothic Poster youвЂ™ve extended the range of weights beyond anything that the original gothics provided. This specific terminal was then derived for other letters and is most visible in characters such as вЂQвЂ™, вЂRвЂ™, and вЂKвЂ™, retaining its strong contrast. The curves were added later to make the overall feel less aggressive. The formal language can still clearly be seen in the вЂrвЂ™ in the lighter cuts as a high-contrast, sharp terminal, and in the bold cut with a 90В° angle between stem and terminal. That was a bit too blatant and too far from the original, but it went in the right direction: more digital, sharper, and a bit more grown-up without becoming neutral. The first letter I sketched was the вЂrвЂ™ in a very bold cut, without curves and with an almost geometric appearance. What were you aiming for in making these changes? In reinterpreting these gothics youвЂ™ve made a few interesting changes, such as the straight tails on the вЂQвЂ™ and вЂyвЂ™, and greater stress in many characters, particularly noticeable in the вЂRвЂ™, вЂMвЂ™, вЂ8вЂ™ and вЂ9вЂ™. So I started sketching right away and tried to create my own style within the genre. Personally, I just like the playful style and think it can still be used for contemporary projects and combined with more recent designs.Д«ut there are nowhere near as many new interpretations as in other genres, which surprised me as a graphic designer and ultimately also limited me.

In recent years I have several times experimented with using somewhat warmer and more lively type designs, in the direction of Bell or Franklin Gothic, instead of neutral neogrotesque fonts. What inspired you to design your own take on these classics? GriffithвЂ™s Bell Gothic (revived by Font Bureau as Griffith Gothic), and Morris Fuller BentonвЂ™s Franklin Gothic.

Your latest typeface Kanton Gothic follows in the footsteps of many venerable gothics, including Chauncey H. Kanton Gothic вЂ“ Fabian Dornhecker ( La Bolde Vita) From the hundreds of fonts we add to the Identifont database every month w e chose a selection of the most interesting recent additions, and interviewed the designers about their approach to each design:

What is franklin gothic font